You’re only fooling yourself not the dance floor and certainly not your contemporaries.
mp3) however lost out it’s no good and if you’re using one it’s time to stop. Analogue or lossless digital both have their merits and it turns out they don’t need to hate one another in their childish vying for the ultimate accolade. But in its wake there is a new battlefield and it is being waged against DJ’s and the aggressor is the market place. This conflict has come to a happy enough conclusion. Once upon a time the dominant skirmish in our ranks was the *Battle of the Formats, AKA The Format Wars. If you are not a dj but someone interested in the art you may get some insight into the hidden miasma the contemporary DJ must negotiate to survive. If you are a DJ you may get some insight into your own process or have some questions revealed and or answered. That’s what I’m hoping for, because I’m really struggling at the moment to determine the best way forward with my technical set up and work flow. Whilst this may be a self indulgent exercise I’m almost certain that in writing down my current dilemma and “talking” it through with you, we may both get some clarity. I’m going to honestly share the current state of play in my dj tech life in an effort to make sense of it and pick my way through the minefield. Confusion, insecurity and second guessing reign supreme, forced obsolescence, constant upgrades and continual updates are common methods of attack. The casualties are the DJ’s for whom this war, ostensibly at least is being waged. My viewpoint is that the dj marketplace is waging a cynical war of product line advancement that is no more advanced than an arms race. This is an account of my personal dilemma from the frontline of battlefield DJ booth.
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2.A full DJ nerd-out article by Simon Slieker We'll happily spend a few hundred more hours obliging him. MGS 5 proves that to be false - he wants you to do that yourself. It's long been said that Hideo Kojima has been more obsessed with emulating his favourite films than making true games. When it all went tits up and you were forced to detonate C4 stashed across an enemy base, before riding into the sunset on your own personal chicken-mech? You were the architect. That time you pulled off a tense, magical heist alongside your mute sniper buddy? That was all you. The switch to wide-open spaces featuring multiple missions not only makes this an embarrassing masterclass for the rest of the world's stealth-action developers, but effectively turns every player into their own spy film director. Yes, it's packed with the off-kilter jokes, mechanical ingenuity and conspiracy theories so wild they're seemingly drawn from the darkest of the internet's depths - but at it's core, this is a very different kind of Hideo Kojima game. If we didn't know better (or should that be worse?), we'd say Konami took the Hideo Kojima brand off of his last stab at MGS 5: The Phantom Pain because it feels quite so different to his previous efforts. Xbox One steering wheel for all your racing needs.Sure you'll recognise those green herbs but this is a new brand of horror that just demands you creep through its hallways even if it feels like you should run in the opposite direction. Add in a story that'll leave you forgetting to breathe for a little too long and Resident Evil 7 manages to be an exhilarating rollercoaster ride that reinvents the franchise. Texas Chainsaw Massacre style fiends? Check. Turning the franchise on its head, Resident Evil 7 is a first person survival terror-fest that sees you sneaking through a decrepit Louisiana mansion hunting for your missing wife. Well 2017 is the year Resi got its groove back and you should be very afraid. After the glorious heady heights of Resi 4 defining the third person shooter as we know it, it all got a bit mediocre.
Resident Evil had gone a bit like a foot left out of the fridge too long.
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